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Ghost buster movie full body1/1/2024 Podcast is played by newcomer Logan Kim, who is hilarious, charming, and a natural-born scene-stealer. The performances by the movie’s young actors are mostly winning, but the two standouts by far are Mckenna Grace’s Phoebe and her first-ever friend, who calls himself Podcast because he hosts one. Adults like Paul Rudd, playing a science teacher named Gary Gruberson, show up to offer the kids some help, or at least some funny exposition. There are sweeping scenes of kids getting into trouble, and discovering first crushes and first friends. Rather than a witty one-liner comedy like the first two movies, Ghostbusters: Afterlife is more like an Amblin Entertainment movie, full of adolescent adventures and a few jokes along the way. Those kids are really the stars of this show. This movie says a Ghostbusters story can be about kids finding where they fit into the world, just as much as it can be about Bill Murray flirting with Sigourney Weaver after she’s turned into the herald of a Sumerian god. Rather than a work of pure reinvention, Afterlife feels more like an expansion of the universe, and of the limits defining what a Ghostbusters movie can be. Instead, Reitman focuses on building strong characters - something he excelled at in his previous movies, like Up in the Air and Juno - and bringing them into the Ghostbusters world. There’s no attempt to form a new Ghostbusting team, or to recapture the magic and chemistry of the original stars. The most commendable part of Afterlife may be its structure, and how little it looks like the original Ghostbusters, even though the movies’ stories share more than a few similarities. Trevor and Phoebe don’t idolize the Ghostbusters - they’ve barely even heard of them, which leaves the enthusiasm for the fans in the theater, rather forcing it out of the actors on screen. Unlike other recent long-delayed sequels, like Star Wars: The Force Awakens, Afterlife sidesteps the worst nostalgia traps by making children its primary characters. The one real exception is a cloying moment near the end of the movie that sends it hurtling over the nostalgia cliff, and sours the whole experience a bit. These moments of nostalgia are littered all over the place, and the references are mostly harmless fan service - even if it occasionally feels like the camera lingers too long on a prop or two from the original movie. Inside the house, Egon left seemingly hundreds of tools, gadgets, and Ghostbusting paraphernalia for Phoebe and Trevor to discover, and for longtime fans to cheer over. The movie overall is a touching tribute to Ramis, the co-writer and co-star of the original films, who passed away in 2014. As it turns out, her father also happened to be Egon Spengler, the former Ghostbuster originally played by Harold Ramis. Ghostbusters: Afterlife follows Callie ( The Leftovers’ Carrie Coon) and her children Trevor ( Stranger Things’ Finn Wolfhard), and Phoebe (Mckenna Grace), as they move from their life in the city to a broken-down farmhouse in the middle of nowhere, which Callie’s estranged father owned and died in. But it also acknowledges the nostalgia that longtime fans may feel for the original story - sometimes at the expense of the new story Reitman is telling. Like so many other franchises these days, the new movie concentrates on handing over a familiar property to newer, younger characters. Its director and co-writer, Jason Reitman, is the son of Ivan Reitman, who directed both the original 1984 Ghostbusters and its 1989 sequel. The newest movie in the franchise is a direct sequel to Ghostbusters 2, which was released more than 30 years ago. After more than a year of pandemic-related scheduling delays, Ghostbusters: Afterlife finally made it to theaters.
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